Producer, Re-mixer and Sound Engineer of Electro, House, Fidget, Dubstep, Breaks, D&B and several cross-genres.
Musical influences range in several genres and artists. BT, Orbital, Bassnectar, Aquasky, Sasha, Digweed, Timo Maas, Paul Vandyk, Arman Van Buren, Zero-7, Plump DJs, etc, etc....there are so many.
DJ: Technics MK1200s (mint), Pioneer DJM-3000 mixer, set of CDJs, 2 USA Amps powering a set of 18" subs and satellites. An entire rack of hardware to handle only the DJ gear.
Production gear: encompasses the use of all available resources: I use Reason 5, Ableton Live 8.2, re-wired together. All tracks externally routed to the Dangerous 2-Bus 16 channel analog Summing Mixer, then signal path to the Dangerous D-box for an additional 8 channels of analog summing and monitoring. Whatever analog gear is patched from here on out and back into the 24 i/o for an incredible signal path and what can be described as 3-D sound when the "sides" and "middle" of the mix can be manipulated.
New Post-production mastering services available using the best in the industry equipment, including API 5500 EQ, KuSh Audio UBK Fatso, Dangerous Music 2 Bus, Dangerous Music Bax EQ, Dangerous Music D-Box, Dangerous Liaison, Drawmer 3-SUM, Switchcraft Studio Patch 6425, Apogee Big Ben, 2-Rupert Neve Portico 5043 compressors, Bricasti designs M7 Reverb, Manley Massive Passive EQ, Universal Audio: LA-2A, 1176 LN, 1176 SE, Pultec EQP-1A, Realverb Pro Room Modeler, CS-1 Channel Strip, UAD Precision Multi-band Compressor, UAD Precision Enhancer kHz, UAD Precision Maximizer, UAD Precision Limiter. Motu 24 i/o is processing all inputs and outputs with on-board DSP. Motu MIDI Express 128 is handling all the MIDI traffic.
My music is 100% original and is inspired from over two decades of spinning vinyl and influence from the very best producers in the industry.